works of art

   FORM THE CYCLE OF PAINTINGS “FONOFIGURAZIONE - IPERDISCIPLINA”

Hyperdiscipline phonofiguration is an integrated artistic language that combines sound, figure, word and thought in a single fluid and interactive expressive form. Overcoming the distinctions between music, visual arts, poetry and philosophy, it generates works in which each element communicates with the other in an organic and transformative way.

Born from the research of Emiliano Albani, this practice is not a simple meeting between disciplines, but a true reciprocal transfiguration: the sound becomes an image, the word becomes sound matter, the visual sign is structured like a score, in a continuous perceptive and conceptual exchange.

Hyperdiscipline phonofiguration presents itself as a total poetic act, in which the work is no longer an object, but a place of crossing, where different languages ​​interpenetrate giving rise to synaesthetic and trans-aesthetic experiences.

FROM THE CYCLE OF PAINTINGS “GEO-LOGICA”

Painting cycle by Emiliano Albani

The Geo-Logica painting cycle was born as a visual, emotional, and intellectual response to the earthquake that struck central Italy in 2016—places deeply dear to the artist. Faced with such devastation, silence was not an option: art became a means of listening, witnessing, and transformation.

Each painting is dedicated to a village affected by the quake. The upper part of the canvas depicts ruined architecture, absences, and fractures, rendered in dark, muted tones—symbols of mourning. But it is beneath the surface that an unexpected space emerges: vibrant colors come alive, signs pulse with energy, and geological maps appear like veins of the earth, tracing seismic waves and epicenters. Rebirth, the artist suggests, begins in the invisible, from deep within. From the roots.

The title Geo-Logica refers not only to geology, but also to a logic of the earth—a grammar of feeling expressed through painted matter. This cycle is part of the broader interdisciplinary project Artecontrasisma, in which Emiliano Albani weaves together painting, music, poetry, and science through a synesthetic and hyperdisciplinary approach.

These works do not merely illustrate: they evoke. They are landscapes of the soul and memory, inner maps that restore dignity to grief and give form to hope.

FROM THE CYCLE OF PAINTINGS “The Doomed Cities”

The Doomed Cities is a painting cycle that explores, with visionary force and symbolic depth, the devastation of war in contemporary cities. Following Geo-Logica, which delved into the wounds of the 2016 earthquake, Emiliano Albani now turns his gaze toward the violence of armed conflict—but also toward the broader collapse of modern civilization: a slow erosion of moral, social, and spiritual foundations, reflected in the disintegration of its urban structures.

In these works, pictorial matter becomes both chronicle and myth. Dark tones, rips, and ruins trace landscapes of horror and memory. On fragmented surfaces, seemingly incongruous yet deeply evocative elements appear: military maps, recurring numbers, ancient religious symbols. The city, torn and forsaken, becomes a palimpsest to decipher, where the sacred and the profane, the real and the archetypal, are layered together.

And yet, even here, hope persists. Just as the earth regenerates after a quake, even among the ruins of war and decay, unexpected colors emerge—flashes of light, signs of possible rebirth. The alternation between darkness and brightness, destruction and renewal, shapes a visual narrative that resists despair and searches, deep within, for the meaning of a possible reconstruction.

The Doomed Cities marks a new stage in Albani’s synesthetic and interdisciplinary journey, where visual language intersects with music, poetry, and reflection. It is an act of poetic resistance against annihilation, and an invitation to see—and feel—what war and time attempt to erase, but art can still redeem.

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